Andy Everson - Watchmen

¤ This is Andy Everson's "Watchmen". His online gallery can be found on his site "Artwork by Andy Everson". We decided to do a second Andy Everson print right away because they tied together well. His piece "Farewell" (image to right) also features a figure looking across the water at the Full Moon. You can find our other review on our "Andy Everson - Farewell" page. Additionally we are including an additional image of one of his Full Moon pieces called "Full Moon".

¤ "Watchmen" captures a bright moonlit night and shows the village watchmen watching for attackers who might come to prey on their village while the villagers lay sleeping, sure in the security of the watchmen's watchful eyes. Everson's people -- the K'omoks -- lived in a coveted location -- the "Land of Plenty" -- which was coveted by two other major groups that might send raiding parties in the night. The watchmen would upon seeing the telltale sign of enemy war canoes, send runners to the village so the people could leave their long houses and head to the defensive palisade on the overlooking hill. You can read more on his page "Watchmen".

This image captures a modern stylistic image of the watchmen with the traditional styled K'omoks full moon. I think that there are a number of ways that this stylized full moon might be done, though I imagine there are some base rules to it. I do like the composition. I think it compliments nicely with his other print "Farewell" and would love to have the two of them hanging from my wall.

~ Darrell

¤ The "Watchmen" by Andy Everson

The seasoned warriors are crouched like tigers, ready to strike for war. The gold coloured moon in the "Watchmen" makes the composition more visually complex for those of us who don't have perfect eyesight. Sometimes artwork can be difficult for the visually impaired.

~ Mags

John McColgan - Bitterroot Fire

¤ You can see this incredible photograph by John McColgan many places on the Internet but I think that the E.M.S. Gallery is one of the best places probably to view it at for information on the picture. Note that there are direct links to a 406 KB-1756x1084 sized version of this image and an 84 KB-720x444 sized version of this picture on the gallery page.

I suggest going to this page, the bio page with information on the image and photographer and clicking on the links for the larger images rather than using the Gallery's page and using the links there. I found them a bit difficult for getting to the interesting information.

¤ I saw this picture first many years ago, when BC was having a lot of severe forest fires -- including some that were threatening cities of the interior of the province. At that time the photo was attributed -- in the posting I received -- to a fire in BC that Summer. However the actual photo was taken by John McColgan "...in the late afternoon of Sunday, August 6, from a bridge over the East Fork of the Bitterroot River just north of Sula, Montana."¹ The year, not given on the Public Safety Art Gallery quoted most on the net, is 2000. I do want to mention that the copyright date on the Public Safety Art Gallery page is 1996 -- however I suspect that is the copyright date for the whole site and not the content.

This image is a departure from what we have done for a couple of reasons. It is a photographic image and we do not do many of those, though we do consider photography to be a visual art. It also is not one image of a collection by an artist -- where we normally try to give one image in a collection so that our readers might go on to explore further the works of that artist. This image because it is posted so many places and is so powerful seemed to be one that fits in with our reviews. I want to mention that in smaller versions of the image and perhaps if the colour is not so good, what appears to be the shadow of a thumb on the right is merely darker vegetation. It only seems like a thumb shadow on some of the images online that I have seen.

I feel the picture is impressive for a number of reasons. One alone is the impressive shot of a wildfire from such an intimate point of view. The colours are like gold in some impossible gem of crystallized metallic gold. It also shows how entirely the fire can consume with it eating all that is within -- perhaps a bit at a time -- but nearly completely if given the chance. Considering the photo was taken late afternoon, it shows how the fire can turn day into night and provide its own illumination in place of the Sun's. All of this contrasts with the green vegetation still there by the river, and the elk seeking shelter in its waters. There is a contrast of power and peace. I find this image very powerful.

~ Darrell

¤  Words that come to mind when I look at the Bitterroot Fire are "beautiful destruction" "beautiful but deadly" and "psychopathic". It is hard to believe that fire can be both stunning and responsible for total annihilation at the same time, but this is exactly what this picture or photograph encapsulates. Is one supposed to be in awe of such a destructive force or does one find that totally abhorrent. I am in two minds -- my eyes are torn to two elk, stranded in this fiery path -- how did two delicate creatures find the fire's Achilles heal and survive. If they could talk they could have such a powerful story to tell about conquering over adversity.

~ Mags.

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¹ "E.M.S. Gallerie: John McCogan" John McColgan BLM Alaska Fire Service

Andrew Annenberg - Portal of Hunab Ku

¤ Andrew Annenberg's "Portal of Hunab Ku" is shown on his site: Annenberg Masterworks visionary fine art & posters. It is part of his "Lost Words Suite".

¤ "Portal of Hunab Ku" is an interesting painting in Andrew Annenberg's series of lost worlds. This one shows a sunken Aztec or Mayan temple complex now visited only by sealife like sea turtles, dolphins and whales. There is a peacefulness that the water brings along with the streamlined grace of the sea life.

I like the crisp style of Annenberg's work -- an illustrative style. It brings the right touch where you want to highlight the detail of the archaeological structures in the piece. He uses shades of violet to draw the eye to the entrance of the foreground pyramid. The emitted light might make you wonder just what lies within.

Dolphins and Whales are creatures of intelligence so it is fitting that they are explorers in this painting.

This is another image where you can look and find new details on further inspection -- some that might be obvious once you find them, might not have been noticed at first.

~ Darrell

¤ When one looks at "Portal of Hunab Ku" one automatically starts to look for similarities between the human race and the underwater world. The only similarity I could come up with is that these historical structures of the deep are the dolphins equivalent to children's building blocks. The shape and size of structure remains the same and one wonders whether they are content to use these cement blocks of the deep as their dwelling place or whether they would much rather be exploring the larger landscape of the ocean. One can only speculate as mankind have not been able to fully converse with these playful creatures of the deep. I look forward to the day when we can converse as one because they have a lot to teach us about living in harmony.

~ Mags

Robert S Connett - Night Trawler

¤ Robert S Connett's "Night Trawler" can be found on his "flickr" page on "flickr". You can also find R.S. Connett's work on deviantART as "vmaximus" -- "vomit maximus" in his gallery there. Do not forget to click on the "All Sizes" link at the top of the image to see the large size version to take in the impressive detailwork of this artist.

¤ Taken aback -- obscure, fanciful, or just plain crazy -- I'm not quite sure. One thing I do know however, is that this artist isn't afraid to push the boundaries of what we consider to be artistic. But that's what I think gives this artist his appeal. The dark hulking colosus in the middle of the work looks like its an invention from a Sci Fi movie set being sent to its final resting place. The other inhabitants of the water look like they've just stumblied upon modern man gone wrong.

~ Mags

¤ I prefer this artist's later works and his works with places and things, to those of people, beings, and animals -- but that is my bias. People need not like all of an artist's works to like the work of an artist. I recommend looking at what the artist has to say about his own work under the images on flickr. He has a talent for writing as well as painting.

Connett puts great detail in his work -- working with magnifying glasses and jeweller's glasses to accompany the hair fine brushes he uses. In "Night Trawler" there is nowhere you can look and not see something of interest, something to make you wonder about what it is doing there. There are themes from other paintings repeated here: I see the people with telescopes that I recognize from the "Spying on the Dark City" painting; I see the city of glass from "Spying on the Dark City" and "Dreaming by the City of Glass" as well as other pieces; and themes from other paintings.

There are many stories being told in "Night Trawler" and though many are put their by the artist, many more are set to be created by the viewer.

~ Darrell.

Jonathan Earl Bowser - Cathedral of Illusion

¤ "Cathedral of Illusion" is one of Jonathan Earl Bowser's fine paintings that he is offering for sale as a Giclee print on his site, "The Goddess Art of Jonathan Earl Bowser". Details from "Cathedral of Illusion"¹ may be found on this page¹.

¤ "Cathedral of Illusion" is a tapestry of glorious parts which make up the whole. Let me explain: The unseen cathedral has a golden pinkish glow under a simple but elegant archway that could be mistaken for heaven. The "water of life"¹ (Mentioned in the detail page on the painting.¹) has had a lot depth added to it to make the rocks seem incredibly life-like. The moss covering on the rocks gives it a delightful touch. The "red king"¹ looks like he is the king of all he surveys -- very focused but determined at the same time.

My absolute favourite portion of the painting is the "Maiden of the Rose Window"¹ -- her hair looks like it is caught up in the winds of hope -- her complexion looks like pure silk -- her armbands look like they contain eye piercing jade -- her cuffs are cut in a diamond shape which would reminder her of her royal status..

~ Mags

¤ Jonathan Earl Bowser is one of my favourite "fantasy" artists. I put "fantasy" in brackets because he doesn't quite fit in with a lot of the artists I was following for fantasy cover art and gaming art. That was the genre of art I was following for quite a while after I discovered being able to look up the artists on the Internet many years ago.

I love the feeling Bowser puts into his work and the detail he puts into it as well. In some ways it is very realistic, but in others it is a step beyond reality. He does some really incredible landscapes and he also does very excellent studies of the female form. The two come together in grand harmony in his "Goddess Art". He also has that desire and talent to blend one subject or item into another to create something greater than the two separately. In this image he blends the cathedral-like forest with cascading brook rolling down an aisle in the trees into an actual aisle descending from the interior of a cathedral with the stained glass cathedral windows illuminating all in a magical light.

The lady in early medieval garb stroking a white dove, while a red bird -- I see in a detailed image it is a small red raptor, perhaps a hawk? -- appears about to alight on her shoulder adds a centre point and the greater meaning to the piece. There is a page with details of the image¹ including the artist with the original painting on the site. The titles to the individual detail images on the "Details¹" page make you wonder about the story behind the image. They make you think there "must" be some story inspiring the details.

But then it is the detail that make this artists works stand out.

~ Darrell

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¹ Detail page for Cathedral of Illusion.

Jacek Yerka - Amonit

¤ "Amonit" by Jacek Yerka can be found on his own site Jacek Yerka painter of the fantasy worlds. You can find galleries of his work in a few places on his site. I suggest "How do I make my paintings..." and "My Worlds".

¤ I experienced a strange feeling when I looked at this artist's piece. My heart went giddy with excitement as it brought me to my childhood. This work has so many tremendous qualities its hard to know where to begin. The houses that are carved into the rock appear both fragile and robust at the same time. The spiral at the top of the image looks like a shell you would pick up off the beach and a pastry treat good enough to eat.

I do find it extraordinary how the water is able to just stay delicately placed on top of the cliff and refrain from dribbling down the sides. Every time you look at this image you will find something new to marvel over.

~ Mags

¤ I like the impossibility of the sea level being both at the top of the cliff and the bottom at the same time. I look at the buildings which meld into the cliff and wonder whether they are intended to be cliff dwellings or just to point out how stone buildings are so like cliffs. That reminds me somewhat of some of Rob Gonsalves works where cliffs meld into cityscapes and cityscapes into cliffs.

Of course my mind loves to move into paintings to feel what they are like and to explore and I wonder what travelling up that river would lead to. Would there be waterfalls from the top of the cliff in places? Is the sea salt or fresh water? Are there tides?I wonder if there might be a safe harbour in the shell? Do people dwell there still? Was the city carved into rock or grown like the shell the feature looks like?

Jacek Yerka has many fascinating pieces on his site and can be found in other places on the Web if you do a search for his name. His is a name I would like to keep track of.

~ Darrell

Jason Chan - Waterfall

Jason Chan did this image which is a part of the collection in his gallery on jasonchanart.com You will find this one in the third row, fourth column, under the first heading "Illustrations". He also has a more current blog, Jason Chan Art.

I like "Waterfall", perhaps because I like children, archaeology, the colour green, finding gentleness combined with strength, hidden places... perhaps because of all these things by themselves and in combination in this composition.

I love the gentle stone meso-American giant presenting the delicate flower to the child held in the palm of his hand. The fresh youth of the young girl is contrasted with the robust antiquity of the moss covered stone monolithic form of the giant. I wonder about the Olmec head in the water and the... perhaps Aztec figure by the falls? The figure himself does not seem to be quite Aztec even though made of Aztec materials with Aztec iconography.

I wonder where this is and where the little red headed girl came from? Judging by the signature I suspect this wasn't done on the computer or at least not done 100% on it.

I think I'll have to have a better look at more of Jason Chan's work when I get back onto a broadband connection.

~ Darrell

If you're not careful you could get taken in by the shear magnitude of this cumbersome, gentle giant and not notice the little girl and the importance she plays in bringing this piece of artwork to completion. The mere fact that the cumbersome gentle giant takes extreme care to pass on a gift of simple but profound beauty and meaning says a lot not only about what the artist is trying to get across, but sheds light on the artist himself and his positive outlook on life in general.

~ Mags