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Showing posts with label keep. Show all posts
Showing posts with label keep. Show all posts

Friday, August 15, 2008

Jacek Yerka - Amonit

¤ "Amonit" by Jacek Yerka can be found on his own site Jacek Yerka painter of the fantasy worlds. You can find galleries of his work in a few places on his site. I suggest "How do I make my paintings..." and "My Worlds".

¤ I experienced a strange feeling when I looked at this artist's piece. My heart went giddy with excitement as it brought me to my childhood. This work has so many tremendous qualities its hard to know where to begin. The houses that are carved into the rock appear both fragile and robust at the same time. The spiral at the top of the image looks like a shell you would pick up off the beach and a pastry treat good enough to eat.

I do find it extraordinary how the water is able to just stay delicately placed on top of the cliff and refrain from dribbling down the sides. Every time you look at this image you will find something new to marvel over.

~ Mags

¤ I like the impossibility of the sea level being both at the top of the cliff and the bottom at the same time. I look at the buildings which meld into the cliff and wonder whether they are intended to be cliff dwellings or just to point out how stone buildings are so like cliffs. That reminds me somewhat of some of Rob Gonsalves works where cliffs meld into cityscapes and cityscapes into cliffs.

Of course my mind loves to move into paintings to feel what they are like and to explore and I wonder what travelling up that river would lead to. Would there be waterfalls from the top of the cliff in places? Is the sea salt or fresh water? Are there tides?I wonder if there might be a safe harbour in the shell? Do people dwell there still? Was the city carved into rock or grown like the shell the feature looks like?

Jacek Yerka has many fascinating pieces on his site and can be found in other places on the Web if you do a search for his name. His is a name I would like to keep track of.

~ Darrell


Wednesday, August 13, 2008

M.C. Escher - Double Planetoid

¤ M.C. Escher's "Double Planetoid" is an illustration of this well known artist that can be found in a number of galleries and collections. We are highlighting it on "The Oldest Escher Collection the Web - Since 1993" "World of Escher" and "Jill Britton's Escher Gallery". "World of Escher" has information on the artist. "Jill Britton's Escher Gallery" has the best and clearest images. "The Oldest Escher Collection the Web - Since 1993" has a good collection as well as links to works inspired by Escher. Please note that we chose to use a larger image for a thumbnail because smaller ones simply do not work for this illustration. (Link to "The Official M.C.Escher Website".)

¤ I'd like to credit my best friend, Darrell Penner, for introducing me to the work of M.C. Escher. After looking at his work for a little while, I realized that all of his shapes on one side of the planetoid are exactly the same as on the other. He takes tremendous care and pride in the fact that everything is symmetrical and drawn like a mathematician.

He is well respected by scientists and mathematicians and I just wonder if it is because of his exactness and attention to detail. I have glanced at some of his other pieces and he manages to put ordinary objects in places where they ought not to be, and somehow yet this still seems to work just fine. So if you are someone that likes symmetrical works of art, then Escher is the man for you.

~ Mags

¤ M.C. Escher's masterpiece, "Double Planetoid" might not seem so impressive to many people today, until they realize it was not done using computer aide. Escher was born in 1898 and died in 1972* and computers were not being routinely used for artwork until well after 1972.

Escher's work was done using techniques of woodcutting and lithography. These processes involve creating a master printing plate or block by hand and printing the piece from that. Each line on Escher's works were originally guided by hand!

Escher's work, like "Double Planetoid" contrasts geometry and nature along with -- in some cases -- optical illusion. He does in this case use optical illusion to create a feeling of depth, but that is something we are very used to. "Double Planetoid" takes two interlocked tetrahedron where one is a fantasy planetoid -- rough and covered with tropical plants; lizard and saurian-like creatures living on the cliff-like structures -- while the second is a fortress a Templer Knight might be proud of -- all tied to an internal point of gravity. The primitive tropical tetrahedron does not connect at all with the fortress tetrahedron but rather the fortress bridges it with arches which emerge from holes on the landscape of the primitive land.

You can see the lithographic lines used to create shading and shape for the print when you look at the full sized work. There is a very different feel between the sort of line used on each of the two tetrahedron.

You really have to view the full sized image from the "Jill Britton's Escher Gallery". At least it is the same size as the prints in the book of prints I bought in my youth, perhaps only a few years after Escher's passing. I have bought few art books in my life, but the book of Escher prints was the first I bought and one of my favourites! This is one of my favourite works as well. ...though I do love the "Curl Up" creature with the "baby feet" that rolls up into the wheel to travel by rolling as much or more...

~ Darrell

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* "World of Escher"

Monday, July 28, 2008

Frank Melech - Die Besucher (The Visitors)

This is another image from the series of works by Frank Melech called Die Besucher which my computer translates out as "The Visitors".

It has a realistic quality and then a hyper-realistic quality, depending on what part of the composition you are looking at, or how closely. The textures give a part of the hyper-reality. I love castles placed in crevices and obscure places, and I love images where there is greater detail to see the more you look. This picture has that -- plus that other quality of telling a story, or providing a canvas for telling stories. I can only wonder if "the visitors" are meant to have been from that combination tree-fungi-flying saucer nestled against the cliff side? Or is it they who are the denizens of the keep -- only indicated by the satellite dish on the roof and the bright light in the one window by daylight?

I might not care for all the artist's works, but I do like very many of them -- and this is one I like. I find it inspirational.

~ Darrell

The eroded rock layer that looks almost like a pathway reminds me of an ancient stone cross embedded in the rock.

~ Mags